EW II (Spring 2012)

Language-driven digital art. Vrooom!

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Permalink kochalka:

SuperF*ckers director & show runner Fran Kraus made this test animated gif matching Jack Krak’s mouth to various letters & letter combinations.
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Truthy

(Source: twitter.com)

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Critiques Pure and Vulgar

secondbalcony:

We don’t really reject artworks — we reject a mindset implied by enjoying an artwork. It’s not like “this answer is wrong,” but like “the question for which this work is the answer sucks.”

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Permalink triplecanopy:

Slot-machine portraits—a gif-collage by Vladimir Kobrin.
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book (n.)
O.E. boc “book, writing, written document,” traditionally from P.Gmc. *bokiz “beech” (cf. Ger. Buch “book” Buche “beech;” see beech), the notion being of beechwood tablets on which runes were inscribed, but it may be from the tree itself (people still carve initials in them). The O.E. originally meant any written document. Latin and Sanskrit also have words for “writing” that are based on tree names (“birch” and “ash,” respectively). Meaning “libretto of an opera” is from 1768. A betting book is from 1856.

code
c.1300, “systematic compilation of laws,” from O.Fr. code “system of laws, law-book” (13c.), from L. codex, earlier caudex “book, book of laws,” lit. “tree trunk,” hence, book made up of wooden tablets covered with wax for writing. Meaning “cipher” (the sense in secret code) is from 1808.

write
O.E. writan “to score, outline, draw the figure of,” later “to set down in writing” (class I strong verb; past tense wrat, pp. writen), from P.Gmc. *writanan “tear, scratch” (cf. O.Fris. writa “to write,” O.S. writan “to tear, scratch, write,” O.N. rita “write, scratch, outline,” O.H.G. rizan “to write, scratch, tear,” Ger. reißen “to tear, pull, tug, sketch, draw, design”), outside connections doubtful. Words for “write” in most I.E languages originally mean “carve, scratch, cut” (cf. L. scribere, Gk. grapho, Skt. rikh-); a few originally meant “paint” (cf. Goth. meljan, O.C.S. pisati, and most of the modern Slavic cognates).

Permalink triplecanopy:

“I have been thinking more about the din of digital noise than the finer points of the index. I’m most interested in how one can reclaim desire and cultivate consideration in a time dominated by technical media. For me, art is a way to provide an intensified form of attention that runs counter to our daily experience.”—John Houck to Matthew Porter in an interview for Triple Canopy.
John Houck, Aggregates. Creased archival pigment prints.
Permalink thenewinquiry:

“Henri-Jacques Stiker observes that at the scene of modern war, personhood is violently made partial in body and also mind: ‘Mutilation applied to all alteration of integrity, of integralness. It amounted to a degradation, but one by removal—or deterioration—which has the effect of suppression. The maimed person is someone missing something precise, an organ or function.’ We extend this concept to the age of hypervisibility and screen culture. This ‘missing’ or unseen part that blocks recognition—because it is covered, obscured, or otherwise absented—becomes a microsite for surveillance, incarceration, rehabilitation, even imagined or actual death.”
Read more.
Permalink longreads:

Learning how to code, and searching for a legendary figure in the Ruby who mysteriously disappeared:

Hackety Hack solved the “Little Coder’s Predicament”: It was fun enough to engage a kid, and smart enough to teach her something to boot. But just a few months after launching it, to the astonishment of the community of Ruby programmers who treated him with something approaching messianic worship, _why vanished.
On Aug. 19, 2009, his personal site stopped loading. He stopped answering email. A public repository of his code disappeared. His Twitter account—gone. Hackety Hack—gone. Dozens of other projects—gone.

“Where’s _why?.” — Annie Lowrey, Slate
See also: “Lord of the Files: How GitHub Tamed Free Software.” — Robert McMillan, Wired, Feb. 22, 2012